Reflections of Passions

"Ae rehbar-e-mulq-o-qaum zara, Aankhen na chura, nazrein toh mila Kuch hum bhi sunein, humko bhi bata Yeh kiska lahu hain... yeh kaun mara?" The much acclaimed film "Hazaar Chaurasi Ki Maa" is a narration of Sujata Chatterjee's (Jaya Bachchan) discovery of her son's Brati Chatterjee (Joy Sengupta) life. Made in the backdrop of the Naxalite uprising in West Bengal's Naxalbari, the film mostly deals with Sujata's quest for understanding her deceased son's ideologies and outlook towards life. Starting off with a mere corpse number ''1084" (which lends the film it's name), she establishes her son's identity, despite the social barriers surrounding her. Sujata's character has been defined as a simple-minded mother whose love for her son gave her the strength to not only discover his pursuit in life, but also to find meaning in her own. Adapted from the short story of the same name by Mahaswetha Devi, Govind Nihalani's scre

आती हैं तेरी याद हमको कभी कभी होती हैं ख़्वाबों में भी मुलाकात कभी कभी कुछ अपना होश रहता हैं न दुनिया का हमें जब होती हैं आँखों से बरसात कभी कभी होता तो होगा तुझे हमारी चाहत का एहसास होता तो होगा दिल भी बेताब कभी कभी यह अलग बात हैं मुझे आदत हैं मुस्कुराने की गुज़र जाती हैं मगर आंसुओं में रात कभी कभी किस कम्बक्त को ज़रुरत हैं तेरी तस्वीर की? आंसुओं से बन जाती हैं तेरी तस्वीर कभी कभी दुनिया कहने लगेगी काफिर हमें भी तेरे ताखौल को किया हैं सजदा कभी कभी न पा सकी वो सुकून-इ-दिल तेरे साथ भी जो मिल जाता हैं तेरे बाद कभी कभी लिख तो लेता हूँ मैं हाल-इ-दिल मगर फिर भी होती हैं लफ़्ज़ों की करनी महसूस कभी कभी

When two male French tourists unknowingly accompanied their two women counterparts inside the ladies' compartment of the CST bound local the previous Tuesday, an Indian woman politely pointed out to one of the white women, "Excuse me, this is ladies". To which, the female tourist, who couldn't comprehend the statement was indirectly meant for her male friends, shot back, in heavily accented English, "But I am lady, right?" The Indian passenger then had to point towards the men who were hanging out near the door and blissfully taking in the wet landscape. "Next station, that side", she said this time, stressing on every word as if she herself were French. Of course, it worked. While the men got off, the women stayed back, making the otherwise sluggish "slow" journey to CST quite a memorable one. For starters, they had almost every female passenger in the compartment, including the one who got rid of their friends, blushing when they starte

A short fifteen minute drive in any direction will show an individual that if Mumbai's carriageways were better managed, half of Mumbai's flyovers would be unnecessary. One badly/wrongly/double-parked tempo or taxi throws the brake on a whole line of fast-moving traffic. A garbage bin jutting out an angle, or a foot away from the sidewalk, instead of being flush with the kerbside, creates the same obstruction and gives trucks and cabs to use the "cordoned off" space as legitimate parking. A temporary BMC shed for repair or construction is soon joined by a snaking line of corrugated iron, which becames permanently long after the municipal gangs have moved out, leaving a pile of never-removed debris in their wake. And now, they saw off monsoon-precarious branches of roadside trees and leave them to rot on the carriageway, creating a literal logjam. I am not even going to mention the potholes, because I have fallen into them a long while ago. How easy it would be to smoo